A prison as a stage, visualizes a female tragedy of being gazed at, two-timed, exploited and ruined like a moth on fire. It parodies media, law and human morality in a most unbelievable way, yet women's destiny remains chillingly reflexive even in reveries.
王亞念:182.89.129.184
解脫對(duì)黑人男性的刻板印象所產(chǎn)生的束縛,解脫無(wú)法對(duì)失去釋?xiě)训男木?,解脫所有纏繞的對(duì)抗力量和激烈情緒?;鍎澫滦逼聲r(shí)看到的路旁景象是視覺(jué)上的創(chuàng)新,電影的形式融合越來(lái)越多樣。對(duì)舊金山的愛(ài)浸滿了在這座城里的無(wú)助和掙扎——的確像Jimie說(shuō)的那樣,"You don't get to hate it unless you love it."