【20200905】4.5. Narratives 的歷史縱深感、人文關(guān)懷及其療愈的功能,再配上精良的特效制作,讓這部片子觀感還不錯。前三個故事的客觀鏡頭,自旁白出現(xiàn)的那一刻開始,就變成了主觀鏡頭 -- 作為narratologist,從故事的聽者,逐漸成為故事的講者,精靈穿梭在人類社會中尋找新的故事,也同女主創(chuàng)作她們二人的故事。透露出一些后設(shè)的意味??赡芄适卤旧聿攀潜酒闹鹘?,人類不該叫homo sapiens, 而是 homo narrativus。 最后總覺得有些《柏林蒼穹下》的關(guān)懷
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call me a philistine, but I cannot stomach a tableau, however beautifully crafted, of solipsism and deceit; and to have DDL in very possibly his last film speak those lines of threadbare cliches is a crime. Lesley Manville's performance is the only saving grace.